gnrsucks.com Guns N' Roses – Daily GN'R news

19Mar/09Off

Guns N’ Roses – My Michelle live @ Donnington 2006 feat. Sebastian Bach

Guns N' Roses playing My Michelle live at the Donnington 2006 featuring Sebastian Bach

Axl Rose and Sebastian Bach

18Mar/09Off

Guns N’ Roses – Nightrain (w/ Izzy Stradlin’) live @ Donnington 2006

Izzy Stradlin'

17Mar/09Off

Guns N’ Roses – Better live @ KROQ Inland Invasion

Axl Rose

Guns N' Roses performing Better live @ KROQ Inland Invasion in 2006

15Dec/08Off

Axl posts new statement regarding the original GN’R dissolution

Axl Rose

Axl Rose

Axl dropped by mygnrforum.com and left a statement regarding the whole Guns N' Roses break up. Here's what he had to say:

"Ok then!! The questions aren’t here but the answers as it moves along I think point pretty clearly to what was asked in pretty much order or close of the 7 pages. If I didn't answer it was either already answered, off topic or I mistakenly overlooked the question, my apologies for the inconvenience. It’s not as light hearted as some of the other sessions but that’s the subject matter. Whew!! smiley-shocked.gif

So let’s start here… the whole Axl wouldn’t go on stage yada yada… is complete and utter crap.

Never happened, all made up, fallacy and fantasy. Not one single solitary thread of truth to it. Had that been the case I would’ve have been cremated years ago legally, could’ve cleaned me out for the name and damages. It's called under duress with extenuating circumstances. In fact the time that was mentioned the attorneys were all in Europe with us dealing with Adler depositions.

Couldn't talk sooner as it could have jeopardized whatever nonsense was going on.

When Guns renegotiated our contract with Geffen I had the bit about the name added in as protection for myself as I had come up with the name and then originally started the band with it. It had more to do with management than the band as our then manager was always tryin’ to convince someone they should fire me. As I had stopped speaking with him he sensed his days were numbered and was bending any ear he could along with attempting to sell our renegotiation out for a personal payday from Geffen.

It was added to the contract and everyone signed off on it. It wasn’t hidden in fine print etc as you had to initial the section verifying you had acknowledged it.

Now at that time I didn’t know or think about brand names or corporate value etc. All I knew is that I came in with the name and from day one everyone had agreed to it being mine should we break up and now it was in writing.

I still didn’t grasp any other issues until long after I’d left and formed a new partnership which was only an effort to salvage Guns not steal it.

In my opinion the reality of the shift and the public embarrassment and ridicule by others (which included a lot of not so on the level business types he was associating with at the time) for not contesting the rights to the brand name, were more than Slash could openly face. Also we aren’t lawyers or formally business educated so it was just a matter of all of us being naïve and doing what we thought was right at the time. Slash was imo being on the up and up in agreeing I had the rights and I wasn’t trying to be some snake in the grass pulling a fast one. The others could’ve cared less.

But when the reality of the breakup hit and the strategy to have me crawl back was put into play Slash had to save face and get business team and public support. Painting me as the one who held a crowd hostage forcing the others to sign over the name worked out pretty well in that regard. I’m the bad guy and Duff, the fans and most importantly himself were the victims. Oh and they had actually made the sacrifice for the crowd, the people, the fans at the show. But again…. IT NEVER HAPPENED.

Media and others ignorantly, wrongly and falsely harped on about it at mine and the fans expense for years and Slash has hoped to use all that to continually sue and have some sort of legal nonsense going on behind the scenes in an effort to reverse things. He wouldn’t have been able to get the support and action on the part of his various team members over the years to do so if the truth were out there especially when the statute of limitations had run out years ago.

Why keep the name? I’m literally the last man standing. Not bragging, not proud. It’s been a fucking nightmare but I didn’t leave Guns and I didn’t drive others out. With Slash it’s been nothing more than pure strategy and saving face while manipulating the public like he used to me. I earned the right to protect my efforts and to be able to take advantage of our contract I’d worked hard for where Slash’s exact words were that he didn’t care. I get that some like a different version or lineup the same way some like a specific team line up or a particular year of a specific car but because you and I are getting played I’m supposed to throw the baby out with the bath water?

I didn’t make a solo record. A solo record would be completely different than this and probably much more instrumental. I made a Guns record with the right people who were the only people who really wanted to help me try, were qualified and capable while enduring the public abuse for years . The songs were chosen by everyone involved. I didn’t want to do This I love in anyway shape or form and Robin and Caram insisted gaining Tommy’s and the others support. There’s been a lot of pressure to go with using my name (all external) but that never felt right to me for this band and the parameters in regard to this music have lots more to do with the mindset of Guns than something else. The instrumental I wrote for End of Days that’s more a solo effort at least presently.

As far as a new name…this is who I am not whatever else someone else thinks of. I don’t see myself as solely Guns but I do see myself as the only one from the past making the effort to take it forward whether anyone approves or not and giving beyond what many would or fight for to do so. The name helped the music more than you could ever know and I’m not talking in regards to studios or budgets I mean it as in being pushed by something and having to get the music to a place where I can find my peace regardless of what anyone says. And that wasn’t fully achieved until the last round of mastering and swapping out a version of a track at the pressing plant that had gotten inadvertently changed at the last minute.

Also the name was what the industry wanted as well and the burden of keeping it was something to endure in order to make the record. After the monies invested by old Geffen (that were decisions made that have worked out for me but I'm on record as having opposed) dropping the name became suicide.

The cost of legal battles has been astronomical but I felt the deal made with Universal was fair for where it is and most things balanced out for both sides.

David Bowie likes Floyd with Barret, many with Waters and those without. And there are those who like all the different lineups. Imo what makes our situation a bit more unique at least in how it’s played out is the ugliness of what really took place. If I’d done what was said then I’d say "fuck me too". I also realize this is just one issue in something with upteen however many more so conclusions can’t be formulated off this little bit alone by most which is more than understandable.

That said because someone leaves the shop I started in which I still legally have the rights to the name I started it with… makes up a bunch of nonsense to win public and legal support in an effort to get whatever it is they want at mine and the public’s expense… I don’t feel any reason whatsoever I should have to throw what I’ve not only worked for but fought and suffered for away because some hurt, angry, betrayed, misguided and lied to people with a lynch mob mentality, joined by others who could care less (especially in the media), enjoying the controversy and hate, choose one over the other regardless of what’s right because they want what they want. And you can still prefer then as opposed to now and no one’s arguing your right to do so.

In regard to nuGuns, I get that sometimes it helps to be able to clarify. Personally I call this Guns and the Illusions or previous lineups old Guns.

We can play what we want as far as I’m aware.

It wasn’t so much that it was a good course or that if looking back I could do something differently it’s that for better or worse it was the only course and had I not done this Slash would have succeeded in destroying me publicly much more than he, others or myself have so far and I would have gone bankrupt.

I don’t know where I’d be but there’s clearly no happy ending there and with everything else that had gone on in every other area of my life the devastation isn’t something I feel I would have overcome at least to any real degree publicly. Hopefully I would’ve been able to pick myself up enough to get a job or sing somewhere else but I doubt anything that significant.

The sharing thing is interesting but even with all this time the complications of the red tape and trying to get something out fall on my world to sort and not theirs. They are amazingly supportive and do their best to keep me in up spirits and focused which I had less and less of in Guns way before Sweet Child caught on. If that were to change then that may be something to look at. I hope for us to grow more together as we continue so who knows.

If I hadn’t secured the rights I don’t know where I’d be and I’d probably call what would then be the current lineup “Those mother fuckers!!” rofl-lol.gif

The name is something I take great pride in as I feel anyone who’s been a part of it should, the same as other bands or teams etc. The burden when it is such is a nightmare but not as much or as hopeless as I’d imagine without it could have been.

On the what’s the difference… I think I get what you’re asking… I feel it depends on how and in what ways either the formers members are using the association and what the true circumstances regarding why they moved on from both the band and the name that would or could affect the decision to continue on with the name by in this case this lineup and or myself.

As for selling more records it’d be nice to be in a position to possibly do so at some point but that’s never been my base reasoning. I would think it fits into not feeling I shouldn’t be forced to throw away possible opportunities in a hostile attempted takeover. I believe I should fight for Guns in a patriotic sense or sense of loyalty or honor. Not just my vision or direction for Guns as those things can evolve and you can make forward moving positive compromises by what others bring to the table but I mean more as in what principles I feel were important to Guns in regard to an overall commitment to the music.

It helped us get here but most of that was with Universal and the positives of that wore off years ago until recently and after the initial run it’ll be about the music and us. Then it’s about touring and there’s not a question the name’s helped at most everywhere but not so much the states. With that it comes down to the strength or quality of the performance. Having the name kicks your ass every night as it’s not some side project or something u can fuck off in. You don’t deliver u get your ass handed to u. So it makes us work much harder than I feel we would outside of it and it hasn’t been too ugly yet.

I didn’t see lineup changes etc back then I saw it more as a crash and burn, goin’ down with the ship. On one hand I knew the band was over before we started touring Illusions but you have hope… but I saw it more like the Titanic sinking than moving on or surviving. And in reality I went the distance with each and every one in Guns to where they felt for whatever reasons they either couldn’t or wouldn’t give what Guns required.

And I’m not talking change of styles or sounds etc. A lot of people bought that crap and me having gone in other directions seems to many to have verified that. Then you have the mind twisting equally as true horseshit in Slash’s book but I have the rehearsal tapes. There’s nothing but Slash based blues rock and he stopped it to both go solo and try to completely take over Guns. I read all this if Axl would’ve put words and melodies on it could’ve… That was denied and I didn’t walk till several months after having 3 to 4 hour phone conversations nearly every day with Slash trying to reach a compromise. I was specifically told no lyrics, no melodies, no changes to anything and to sing what I was told or fuck off.

As to what would possibly make me change the name would be some form of evolving that I don’t feel we’ve reached yet and not in any way consciously trying to at this time. It’s really hard to say. I’d have to feel it was right for me and those involved and whatever we’re doing at that time.

Never thought about that , with the RRHOF. The whole “mature enough” bit was cute. Not to offend anyone but personally I don’t have an interest and other than inducting Elton don’t quite get what it is exactly and who decides what. It seems to mean more to some than others and more so amongst fans. It’s nice to get recognition and have some form of acceptance but in regards to joining others the price is too high and just not worth it. It’s a ways away and seems a bit presumptuous to be contemplating being inducted now.

About following particular styles yes I do feel there are parameters with Guns as opposed to not being or in Guns. Chinese is imo an evolution not necessarily how each from the past would but how the music and intent could and did. Guns did not have specific lifelong criteria to follow and many of the influences on Appetite were abandoned by the others long before me. In fact Slash hated a good portion of those on Appetite and wasn’t all that into the involvement or association but knew it worked at the time and realized it was the cusp of a wave that was growing. It’s a trip for me to witness as so many of the people he performs with etc he hated then, them, their bands and their music where the others or I were the fans.

I like touring with these guys a lot more than the old band. The beginning was fun but it started going bad our first gig opening for the Cult in Halifax between Slash and I. That’s when the ok I put up with all Axl’s and Izzy’s crap now I’m gonna be the man trip started with him runnin’ right out front on the ego ramp for the whole show. It was pretty funny. rolleyes.gif

No one ever talked about or suggested using another name. The guys are really respectful in regard to the old band and I’m not sure if they’ve said a paragraph apiece in all the years towards or about the old band whether I’m talking about whatever or not. But from being with me for so long they know a lot of it’s shit so they get bummed at the endless interviews and nonsense. Personally I’m so proud of them I wouldn’t know how to express it. I can’t see me handing something like this as they have with so much class and maturity especially being shit on publicly to such a degree. “Hey join my band, bring an umbrella!!”

If I were to leave Guns I could consider giving, selling, shelving or opening a GNR Burger chain with the name!! Ha!! j/k. I’m not so different than the alumni in that there’s generally something going on that makes things suck and when that reaches overflow I want out too but if you didn’t when it’s ugly I think that’d be less normal.

If I went solo which I haven’t I wouldn’t call it Guns.

The name does come from mine and Traci’s as the original inspiration but was something I played with not Traci and Guns was Guns before Traci joined. It was Guns Before I knocked on Izzy’s window. Earlier I had gotten Tracii to use the name Guns (as he had mentioned a girl had called him Mr. Guns sometime) so he’d stop calling his band Persian Rose. So I guess we have the girl to thank.

The other’s having a sense of entitlement to the name isn’t completely off but has more to do with how Slash dealt with things and his particular strategy and I say strategy because that’s what it’s been. But since I managed to hold out that didn’t play out so well for him in regard to the name.

It’s a band name more than a brand name. As Tommy said regarding our struggles to make this happen “We’re not lettin’ what took so much blood and heart get turned to shit and dust.” And I guess you could apply that to current former or whatever.

Slash never had ANY arguments for keeping the name until long after and again I feel that had a lot to do with seedy biz types and him feeling he had to save face.

Keeping the band name alive was very important. Not out of ego and I don’t know exactly why in the sense of putting into words but I think it has something to do with the global effect it has and how Guns surviving in some way is sometimes inspiring to others around the world and in that there’s a sense of obligation.

I don’t regret keeping the name though I wish more were supportive or at least not as aggressively opposed.

The details are that my attorney shit when I made the move. He was very against it fearing long litigation but even then no one talked about brand names or individual interests in a brand name. I look back and have no idea why. Not my people, not his people, no one.
No one pressured me, everyone was afraid and no one including myself wanted to break up Guns or the relationship. And Bubbles and I talk all the time!

We can “chat” about the contract and the reasoning another time

The battles were during the breakup. Our people and my individual legal basically forced me to go thru the motions with everything I had to make things work for over 2 years in the sense that if they felt I wasn’t making every effort 110% and with all the sincerity and all above board I wouldn’t have their support which I wanted, couldn’t afford to lose or risk losing. Which led to the trial period where Slash played the key bits of Fall to Pieces but once I showed some interest that was over.

I get the part about reckless but it was more about strategy and underestimating how long I would stick with it.

As far as people knowing me, this is a statement that in light of others decisions that I chose to pursue as Guns N’ Roses and what some may feel is a different this or that may seem as if the arguments or disagreements are about the band or the style of music such as blues or influences on earlier Guns has some relevance but imo points more to deeper base elements I wanted to put forth for people in general.

Such as a more positive intent and instead of as self destructive more of healing. There’s all kinds of things to help you die or be more negative. I wanted to try and make as powerful a hard rock album as we could while incorporating beauty and an openness to other forms both traditional and more recent without going religious etc. I didn’t attempt to make a party record or dance record both elements consciously in Appetite. I wasn’t trying to purposefully appeal to the heartland or middle America in those ways (not that I was trying to avoid them or have an issue). But for example Sweet Child wasn’t in any way trying to write a “hit” mainstream song it was trying to write the best Guns N’ Roses Lynard Skynard influenced song we could as tribute and recognition in the tradition of Tuesdays Gone With the Wind or Simple Man etc and at a time when nothing could have seemed more unpopular.

One man forced me to work with others. One man forced me to work with others to survive. And I can’t say what would have happened on different terms. I say yes because it was agreed from day one. U have to realize we were on the street. It wasn’t the first band. Whoever thought of the name kept the name unless he gave it up or moved on. Everyone was always having a new version of whatever their band name was. I wouldn’t have thought of using LA Gunns or any of Slash’s band names. We all knew that we could break up the next week. You had to have that stuff somewhat sorted between each other going in. It was a deal that we made. The issue becomes the value or perceived value now and the fans attachment and or acceptance. Really weren’t things we consciously considered even during the breakup.

I don’t exactly know what Guns N’ Roses is but I know it’s my job in the sense of an obligation and I’m good with that.
The name and rights have nothing to do with the breakup. That’s all a created façade a decoy and a smoke screen. Now had what Slash said actually transpired then I’d say of course but in reality, No.

Going into Guns there wasn’t a #2. At that time I was going to make it in a band that started as Guns N’ Roses and could evolve but that was the starting point and it was all the way or bust. I knew what I wanted when I knocked on Izzy’s window. I also knew I wanted Slash but we still had differences and Izzy wasn’t down with it.

I wasn’t legally obligated but we probably would have gotten dropped and I would have been driven into bankruptcy.

I think it varies and happy Christmas to u and everyone.

I don’t think about the dangerous bit or status or identification. I’ve always thought of the symbolism since thinking of the 2 words together. And in that I absolutely feel this is a Guns N’ Roses record.

It’s an issue that gets brought up a lot especially in the media at all levels and it gets really ugly. It’s ugly right now with dj’s across the country who feel their sticking up for something that they bought into unaware. So I wanted to start going at it a bit.

Most critics have higher opinions of theirs than is merited. I haven’t read much from outside sources in the media regarding my world that know much of anything let alone what would be in my best interest other than looking at events in hindsight and playing armchair music mogul. Which most times means nothing and though could seem logical is usually just as far off base as anything else they’ve said.

The heart and commitment these guys play the material with is much more than the others were prepared to give pursuing their own interests for a very long time. The music changed after Slash and I parted so the direction was where I took Guns not where I had intended or tried to go previously. It had a lot to do with not finding or knowing a more blues based player that I found inspiring and I was really knocked down and beat up. Slash, Duff and Matt’s decisions had as much to do with kicking a guy when he’s down or abandoning ship at the time as anything else. Other things were going on with music as well, we were basically dead at Geffen. I liked other things as well so I wanted to explore, be legitimate and survive. I wasn’t doing what was written so often about chasing fads etc. Jesus, I wouldn’t have agreed for Zakk to come down if any of Slash’s or the media’s nonsense were real. And that could’ve worked on some level but like Guns it would’ve been up to those two and their relationship. They talk nice but it wasn’t pretty… but it was pretty awesome!!

No plans not to be Guns for the future.

Solo efforts… Much more experimental and instrumental.

It doesn’t bother me unless it’s being done at my expense and or to keep him associated as in Guitar Hero. Him being Guitar Hero’s fine but not when Activison in using Jungle, having Yahoo use Sweet Child unauthorized, claims no involvement with Slash, his or anyone’s image or VR or anyone or anyone’s music in either camp in promotion or commercials etc. I wasn’t broadsided. I read about it as it moved along but Activision continually denied it right up to the release. That’s some low life chicanery on all their parts.

Yes Slash was in Guns and on Jungle (and the whole I came to him for his riff is as much crap as him saying he brought Locomotive and Coma in as complete songs) and he has rights to perform it but not to be represented in this context in association with Guns. And since they weren’t granted the license it’ll take some sorting.

Universal has Guns under contract but I own the name.

I don’t have problems with whoever doing the songs but film or video gets into sync rights and I don’t have an interest in anyone new, old or whatever trying to sell themselves as GNR under another name that way.

It’s my understanding the lawyers were scammed like the everyone else so for them to continually try and find a way to reverse things is normal and would seem appropriate but again it NEVER Happened.

Thanks everyone. Hope to get back soon. I’ll take a look at that list. As long as we don’t get to personal or offensive I’m good with things. Thanks for all the questions, my apologies for not answering specifically to each, this was just a bit easier for this subject. Hope no one took wanting to stay on topic to personal. Thanks again to everyone who participated. Thanks to everyone for the great comments and appreciation. Happy Holidays. x_rudolph.gif

Axl-"

12Dec/08Off

[UPDATED] Axl interviewed by fans! The only interview that matters

Axl Rose 

 

Axl Rose

 

Taken from heretodaygonetohell.com

So you can all read the after hours interview that Axl gave early the morning of Fri Dec 12th.  The following is everything that I have saved so far.  

This is also so that people don't have to ask the same questions.  I will post more as we go.

Axl on performing late and being late to gigs?

I've been an after midnight type since I was sneakin' out of my house in Jr. High. With old Guns we preferred 12am or so. When we moved to theaters etc obviously that changes but it's never changed inside me. Doesn't matter what I do so generally that's when I'm more myself. This isn't to mess with anyone that has an early schedule to keep it's just personal preference.

And in regard to the size venues I'm on record as preferring what ever venues allow for our schedule but management and promoters can do a lot in their own interests behind the scenes that can rarely be avoided and their greed or whatever leads to a lot of double talk and ugly behind nonsense that generally eventually ruins things for everyone. Translated once a tour is scheduled however it's like parting the seas to change.

As far as being late, I've been that way my whole life. It drove Izzy crazy but he would check himself and freely admit I was generally actually doing something that had to get done rather than watching basketball etc.

On a video for Better?

THE BETTER MUSIC VIDEO WILL BE OUT IN A WEEK OR SO"

MONUMENTAL PROMOTION WILL START VERY SOON! 

Who do you listen to for hardcore blues? I'm a blues singer and I can tell from your work that you have at least got way into a couple of blues records.

Bessie Smith, Zep 1, Robert Johnson, Tumbleweed Connection, Janice. 

Regarding multiple albums...

For now we'll concentrate and keep our focus on this album but I will say I've always thought of it as a double.
And no offence but no one's trying to talk in parables. The issues are a bit more complex than anyone would like. 

Hey Axl, is the song Atlas Shrugged as epic as the book? Who is your favorite character from the book?

Song doesn't have all that much to do with the book other than trying to do what you believe in and a line about shoulders not being wide enough.

Axl was their ever a cover B and cover C for chinese democracy?

Yes there are. There are 2 more covers/bk cover combos and the real booklet that is all artwork that will be out shortly in some form. It's been an ugly battle that hasn't made any sense to anyone and whether anyone cares about such things the booklet or artwork has always been something I've been passionate about and to release the album with unapproved and unseen final artwork with a !st work only error filled draft when others more recent were readily available still has not been explained but is finally getting cleared up. My fave is the How Are You Grenade cover. 

Axl how do you feel about Kanye outselling Chinese Democracy? Do you like Kanye's music?

I met Kanye at the Versace awards. He was very gracious. I love Gold Digger and told him so. I'm a big fan of his stage performance as he seems to go for it physically which I relate more to. B4 r release I sent him a msg that any nonsense from the media had nothing to do with us and wished him the best. I'm humbled we've done as well as we have considering.

Axl do you control the weather or is that solely Oprah?

Oprah 

Jarmo, do you know the reason behind the name Dexter? Is he a fan of the show (on Showtime)? Just curious...No need to reply if the reason is deemed private/personal.
could be because of the guy from The Offspring, too... but I'd rather it be the TV show.
  

The show and my cat named after the show, she's a methodical killer.

Hi Axl, how's it going?
Just wanted to ask if you had any fond memories from the UK leg of the tour from 2006, particularly the concert in Glasgow in July?

Glasgow was great. I think that's where I got to do a lot of slides on the stage. Was like a race track or something rt?

Axl, thanks for Chinese Democracy which i personally think is your best work.
what's your pick for album of the year?
and have you heard the new MetallicA album?

Ours of course!! 
Yes, I like it.

Axl will you tour Australia next year, and when are you looking at doing so?
If you could work with buckethead again, would you have him just in studio, or also would you welcome him in the touring lineup?

Austrailia's great and the crowds are really alive. No plans yet but I'm sure there will be.

I have no issues with Bucket. It's hard to tell what was real or not in things we were told by Merck. He's more than welcome to tour with us in some form or other provided we're both interested at the time and come to some type of reasonable terms. Personally I have a blast w/Bucket on tour and get a big kick out of the guy. A lot of feelings were hurt on this side of the fence in how things went down and unfortunately others used our silence and the public's not knowing for their own purposes at both Bucket's and our expense.

Now that you said that please tell us if Robin's out or not... because, otherwise, we'll be reading several 'Axl wants Bucket back and Robin/Bumble/Richard out' type of threads for the entire '09 year and these threads annoy us, the new lineup fans.

It really is what it is. No decisions have been made by either him, I or us that I'm aware of.

When we're touring or working in the studio or there's social things like a friend's dinner or party whatever we would hang. But as people get older they have their own lives. The Stones aren't going bowling every Tuesday etc. 

Robin leads one of the most different lives I know of starting with the trapeze in his backyard to the tv in his closet. Robin's work on the next is done so there's not lots for him to do here except the elusive promo and he'd rather be on stage. 

It's more about seeing where things are when Guns decides it's right for a tour and if we're able to make agreements we both are comfortable and can live with at that time.

As a native Colombian I must ask:
In 1992, while performing November Rain in Bogota (in November), it rained. 
Wait no....it poured. 
How weird was that, eh? 

Very surreal and religious feeling. So was being chased by the military in our plane down the runway gettin' outta Dodge there!!

Hi axl!
just wondering what stops you from playing more guitar live?

skill

Hey Axl, 
Are you checking your PM's???

Not rt now. It's a bit slow getting around on here rt now.
Let's talk about Catcher!!
Who's 1st?

Axl/Dexter, I'm fixing to pack everyhting I own into my car and drive out to L.A. from Arkansas to give a career in music a shot. Any advice? Or should I just shit in my pants, dive in and swim?

Follow your heart, don't sell out and read every book on the biz u can find.

Catcher is one of the best songs on the album, why no Brian?

There's a few reasons and none of them all that big and definitely not in spite or to slight anyone.

1st off obviously I knew people liked the song but the Brian appreciation really only showed up in force publicly after we had moved on in Guns. In fact Not many seemed to care and most comments were aimed at why Slash in their opinions should be here.

Brians solo itself is a personal fave of mine and I really couldn't understand as he's such a rock legend why it wasn't openly appreciated more at the time.

In actuality all that feel and emotion referred to now had a lot to do with Sean and I and the parts I chose out of Brian's different runs, versions, practice runs etc to make sure we had those elements in one version. It's entirely constructed from edits based around one specific note Brian hit in a throw away take. And though Brian seems to have warmed a bit to it at least publicly he was unfortunately none to pleased at the time with our handiwork. 

I remember looking at Brian standing to my left and him staring at the big studio speakers a bit aghast saying "But that's not what I played."

Sean Beavan and I were not in any way tring to mess with Brian we just did what we do and then try and do our best to stand up for our decisions.

Axl are you still thinking of suing Dr Peppers ass?

Sure but the actions taken so far had nothing to do with me and I was taken off guard as I had specifically told our team who fucking cares rt now we have a record to deal with. 

My feelings are after their public response. It was cute. 

Maybe the guy who got it rolling originally meant well but it turned out sour and maybe it's just me but he seems like maybe he wants a bit too much attention so...

I'm sorry for posting this again! It's just..I don't get this chance everyday! Ever still think about working with Jeff Lynne I think you two would be fuckin awesome together. Would you ever give an unkown band a chance to open for you guys? How do you feel about Double Fantasy? I could see u covering watching the wheels Have you seen the movie The Aviator any thoughts it is my favorite of all time.

Not presently but he's a true hero of mine.  Absolutely. I think we have or at least relatively but I could be mistaken  Big Lennon fan. I piss in jars all the time only I throw them at people!! j/k

when are the online shop opening?

I haven't been involved much in any of our merch and the reasons are it's been a mess legally for years. Unbeknownst to most of you I was recently sued again by Duff and Slash for some murky Merckiness that I was unaware and not involved in. Fortunately that was resolved but it got ugly and took a while going into arbitration.

Merck shifted our merch from some of our newer styles to incorporating more of the old with some scam that actually and surprisingly lost sales in comparison but that's old news. 

What I look forward to is incorporating the new artwork into our merch and getting some for myself. I think u'll like a lot of it. My vote's for the How Are You grenade and the Sorry automatic rifle artwork on shirts etc.

?

I do like the lyrics.

I wrote a paragraph or so on the new booklet and more on the story of what's out now but it got lost in the traffic jam.
 
DEXTER/AXL,
How do you feel about artists covering your songs ? 

Depends but in general it's great.

Hey Axl , whats your favourite song from either Chinese Democracy, or from an unreleased album?

The bridge in "Elvis Presley and the Monster of Soul aka The Soul Monster (working title Leave Me Alone)" which will no doubt end up "Soul Monster". 

I think it's r most Black Sabbath moment. Sang it on a Christmas eve. Imo the meanest section of anything I've sung to date. Which having said that I'm sure when it's heard others may disagree but we felt it was a Christmas card of unadulterated venom so to speak. I felt a lot better afterward.

Axl, how is your relationship with the former members/friends of GNR???

Not sure I understand the question.

Axl, do you know of any steak house in the Los Angeles area better than The Cut? 

Haven't been but I hear it's great. Maestros T.O. is pretty good.

Someone give me a list of all the alleged song titles at once and I'll tell what's real or not. Most from the past like cockroach soup or eulogy aren't.

Atlas Shrugged
No Love Remains
Take That
When Love Collides (I believe that was the name)

only Atlas

I know this is jumping the gun big time, but any tentative idea when you would like to see the next CD come out?

No, maybe same bat time, same bat channel next year but we'll have to see.

Hey Axl,
Is there anything in the past that you have now looked back on and thought maybe I culd have handled that differently, also what are your ongoing hopes for GnR in the future?
I have cyclothemia and sometimes get this feeling that I cant be around people and need my own space and area, how do you find the bipolar effect you, if you dont mind me asking that is?
thanks again for doing this.

Alex

Of course but in the world of sports and litigation....

I've not been diagnosed as being bipolar though many misconstrue statements I made earlier as alluding to such and unfortunately there's been an abundance of misguided or unqualified speculation of various events but I definitely can relate to needing my own space. 

In my world all bi polar means (and not to offend or make light of those suffering from a genuine condition or involved with those who are) is that someone can try to take cheap uneducated shots or try to claim I'm bipolar thus justifying why they should get paid a financial settlement for whatever nonsense they're up to. Fortunately that hasn't proved successful.

Axl,
- What is your honest opinion on why the old lineup disintegrated ?
- What is your honest opinion on why it took so long for CD to come out ?
I think that's what most people want to know but dare not ask ...

2 great but complicated questions and I agree that people would like to know at least my take on things.

Not avoiding them here but they deserve more than I can give as we've been at this a little while. But I'm attempting to speak out on several issues these being a major focus over the coming weeks and months. What I can say now is u've been told a lot of things in order for others to promote themselves that factually they cannot backup in regard to either. They are complicated legally, financially and have devoured a good portion of my life. 

The record Chinese u may have is nothing short of a miracle in almost each and every way that either it or I exist imo under the bizarre and ugly conditions of the last over 15yrs.

Thanks everyone and thanks for all the support and the positive comments both 2nite and over the years. I hope to do this again soon, maybe sooner than u'd think! And u didn't scare me off I'm just burnt and would rather not mispeak on issues that may mean a lot to some. 

Thanks again. 

Peace, 

Axl-

And Checkmate is a bogus title.

The working title is Jackie Chan.

19Nov/08Off

Chuck Klosterman reviews Chinese Democracy

 

By Chuck Klosterman
November 19th, 2008

Guest reviewer Chuck Klosterman is the author of five books, including Fargo Rock City: A Heavy Metal Odyssey In Rural North Dakota and the new novel Downtown Owl. There is no one in the world more qualified to review the exhaustingly anticipated new Guns N' Roses album than he is.

 

Chuck Klosterman

Chuck Klosterman

Reviewing Chinese Democracy is not like reviewing music. It's more like reviewing a unicorn. Should I primarily be blown away that it exists at all? Am I supposed to compare it to conventional horses? To a rhinoceros? Does its pre-existing mythology impact its actual value, or must it be examined inside a cultural vacuum, as if this creature is no more (or less) special than the remainder of the animal kingdom? I've been thinking about this record for 15 years; during that span, I've thought about this record more than I've thought about China, and maybe as much as I've thought about the principles of democracy. This is a little like when that grizzly bear finally ate Timothy Treadwell: Intellectually, he always knew it was coming. He had to. His very existence was built around that conclusion. But you still can't psychologically prepare for the bear who eats you alive, particularly if the bear wears cornrows. 

Here are the simple things about Chinese Democracy: Three of the songs are astonishing. Four or five others are very good. The vocals are brilliantly recorded, and the guitar playing is (generally) more interesting than the guitar playing on the Use Your Illusion albums. Axl Rose made some curious (and absolutely unnecessary) decisions throughout the assembly of this project, but that works to his advantage as often as it detracts from the larger experience. So:Chinese Democracy is good. Under any halfway normal circumstance, I would give it an A.

But nothing about these circumstances is normal.

chinese democracy

 

For one thing, Chinese Democracy is (pretty much) the last Old Media album we'll ever contemplate in this context—it's the last album that will be marketed as a collection of autonomous-but-connected songs, the last album that will be absorbed as a static manifestation of who the band supposedly is, and the last album that will matter more as a physical object than as an Internet sound file. This is the end of that. But the more meaningful reason Chinese Democracyis abnormal is because of a) the motives of its maker, and b) how those motives embargoed what the definitive product eventually became. The explanation as to why Chinese Democracy took so long to complete is not simply because Axl Rose is an insecure perfectionist; it's because Axl Rose self-identifies as a serious, unnatural artist. He can't stop himself from anticipating every possible reaction and interpretation of his work. I suspect he cares less about the degree to which people like his music, and more about how it is taken, regardless of the listener's ultimate judgment. This is why he was so paralyzed by the construction of Chinese Democracy—he can't write or record anything without obsessing over how it will be received, both by a) the people who think he's an unadulterated genius, and b) the people who think he's little more than a richer, red-haired Stephen Pearcy. All of those disparate opinions have identical value to him. So I will take Chinese Democracy as seriously as Axl Rose would hope, and that makes it significantly less simple. At this juncture in history, rocking is not enough.

The weirdest (yet more predictable) aspect of Chinese Democracy is the way 60 percent of the lyrics seem to actively comment on the process of making the album itself. The rest of the vocal material tends to suggest some kind of abstract regret over an undefined romantic relationship punctuated by betrayal, but that might just be the way all hard-rock songs seem when the singer plays a lot of piano and only uses pronouns. The craziest track, "Sorry," resembles spooky Pink Floyd and is probably directed toward former GNR drummer Steven Adler, although I suppose it might be about Slash or Stephanie Seymour or David Geffen. It could even be about Jon Pareles, for all I fucking know—Axl's enemy list is pretty Nixonian at this point. The most uplifting songs are "Street Of Dreams" (a leaked song previously titled "The Blues") and the exceptionally satisfying "Catcher In The Rye" (a softer, more sophisticated re-working of "Yesterdays" that occupies a conceptual self-awareness in the vein of Elton John or mid-period Queen). The fragile ballad "This I Love" is sad, melodramatic, and pleasurably traditional. There are many moments where it's impossible to tell who Axl is talking to, so it feels like he's talking to himself (and inevitably about himself). There's not much cogent storytelling, but it's linear and compelling. The best description of the overall literary quality of the lyrics would probably be "effectively narcissistic."

As for the music—well, that's actually much better than anticipated. It doesn't sound dated or faux-industrial, and the guitar shredding that made the final version (which I'm assuming is still predominantly Buckethead) is alien and perverse. A song like "Shackler's Revenge" is initially average, until you get to the solo—then it becomes the sonic equivalent of a Russian robot wrestling a reticulating python. Whenever people lament the dissolution of the original Guns N' Roses, the person they always focus on is Slash, and that makes sense. (His unrushed blues metal was the group's musical vortex.) But it's actually better that Slash is not on this album. What's cool about Chinese Democracy is that it truly does sound like a new enterprise, and I can't imagine that being the case if Slash were dictating the sonic feel of every riff. The GNR members Rose misses more are Izzy Stradlin (who effortlessly wrote or co-wrote many of the band's most memorable tunes) and Duff McKagan, the underappreciated bassist who made Appetite For Destructionso devastating. Because McKagan worked in numerous Seattle-based bands before joining Guns N' Roses, he became the de facto arranger for many of those pre-Appetitetracks, and his philosophy was always to take the path of least resistance. He pushed the songs in whatever direction felt most organic. But Rose is the complete opposite. He takes the path of most resistance. Sometimes it seems like Axl believes every single Guns N' Roses song needs to employ every single thing that Guns N' Roses has the capacity to do—there needs to be a soft part, a hard part, a falsetto stretch, some piano plinking, some R&B bullshit, a little Judas Priest, subhuman sound effects, a few Robert Plant yowls, dolphin squeaks, wind, overt sentimentality, and a caustic modernization of the blues. When he's able to temporarily balance those qualities (which happens on the title track and on "I.R.S.," the album's two strongest rock cuts), it's sprawling and entertaining and profoundly impressive. The soaring vocals crush everything. But sometimes Chinese Democracy suffers from the same inescapable problem that paralyzed proto-epics like "Estranged" and "November Rain": It's as if Axl is desperately trying to get some unmakeable dream song from inside his skull onto the CD, and the result is an overstuffed maelstrom that makes all the punk dolts scoff. His ambition is noble, yet wildly unrealistic. It's like if Jeff Lynne tried to make Out Of The Blue sound more likeFun House, except with jazz drumming and a girl singer from Motown.

Throughout Chinese Democracy, the most compelling question is never, "What was Axl doing here?" but "What did Axl think he was doing here?" The tune "If The World" sounds like it should be the theme to a Roger Moore-era James Bond movie, all the way down to the title. On "Scraped," there's a vocal bridge that sounds strikingly similar to a vocal bridge from the 1990 Extreme song "Get The Funk Out." On the aforementioned "Sorry," Rose suddenly sings an otherwise innocuous line ("But I don't want to do it") in some bizarre, quasi-Transylvanian accent, and I cannot begin to speculate as to why. I mean, one has to assume Axl thought about all of these individual choices a minimum of a thousand times over the past 15 years. Somewhere in Los Angles, there's gotta be 400 hours of DAT tape with nothing on it exceptmultiple versions of the "Sorry" vocal. So why is this the one we finally hear? What finally made him decide, "You know, I've weighed all my options and all their potential consequences, and I'm going with the Mexican vampire accent. This is the vision I will embrace. But only on that one line! The rest of it will just be sung like a non-dead human." Often, I don't even care if his choices work or if they fail. I just want to know what Rose hoped they would do.

On "Madagascar," he samples MLK (possible restitution for "One In A Million"?) and (for the second time in his career) the movie Cool Hand Luke. Considering that the only people who will care about Rose's preoccupation with Cool Hand Luke are those already obsessed with his iconography, the doomed messianic message of that film must deeply (and predictably) resonate with his very being. But how does that contribute to "Madagascar," a meteorological metaphor about all those unnamed people who wanted to stop him from makingChinese Democracy in the insane manner he saw fit? Sometimes listening to this album feels like watching the final five minutes of the Sopranos finale. There's no acceptable answer to these types of hypotheticals.

Still, I find myself impressed by how close Chinese Democracy comes to fulfilling the absurdly impossible expectation it self-generated, and I not-so-secretly wish this had actually been a triple album. I've maintained a decent living by making easy jokes about Axl Rose for the past 10 years, but what's the final truth? The final truth is this: He makes the best songs. They sound the way I want songs to sound. A few of them seem idiotic at the beginning, but I love the way they end. Axl Rose put so much time and effort into proving that he was super-talented that the rest of humanity forgot he always had been. And that will hurt him. This record may tank commercially. Some people will slaughter Chinese Democracy, and for all the reasons you expect. But he did a good thing here.

Grade: A-

24Oct/08Off

Chinese Democracy (track) Credits

Chinese Democracy

Chinese Democracy

CHINESE DEMOCRACY
(Rose, Freese)

Guitars: Paul Tobias, Robin Finck,
Buckethead, Ron “Bumblefoot” Thal,
Richard Fortus
Bass: Tommy Stinson
Drums: Frank Ferrer
Keyboards: Dizzy Reed, Chris Pitman, Axl Rose
Background Vocals: Dizzy Reed, Tommy Stinson
Sub bass: Chris Pitman
Guitar Solos: Robin Finck, Buckethead
Intro: Eric Caudieux, Caram Costanzo
Vocals: Axl Rose
Arrangement: Rose, Tobias, Beavan
Digital Editing: Eric Caudieux,
Caram Costanzo, Axl Rose, Sean Beavan
Additional guitar processing: Chris Pitman

thanks to: jip @ mygnrforum

CD Booklet

CD Booklet